Articles scientifiques et musicologiques de l'Ircam

4118 articles

  1. Jérôme Nika, Augustin Muller, Joakim Borg, Gérard Assayag, Matthew Ostrowski. Dicy2 for Max. Ircam UMR STMS 9912. 2022. ⟨hal-03892611⟩ consulter sur HAL
  2. Jérémie Garcia, Theophanis Tsandilas, Carlos Agon, Wendy Mackay. InkSplorer: Exploring Musical Ideas on Paper and Computer. New Interfaces for Musical Expression (NIME 2011), May 2011, Oslo, Norway. ⟨inria-00600083⟩ consulter sur HAL
  3. François-Xavier Féron, Laura Zattra. L’empreinte de John Chowning dans la construction de l’Ircam : de sa rencontre avec Pierre Boulez en 1973 à la création de Stria en 1977. Les journées d'Informatique Musicale, pp.123-132, 2023. ⟨halshs-04140906v2⟩ consulter sur HAL
  4. Lenny Renault, Rémi Mignot, Axel Roebel. Differentiable Piano Model for MIDI-to-Audio Performance Synthesis. 25th International Conference on Digital Audio Effects (DAFx20in22), Sep 2022, Vienna, Austria. ⟨10.5281/zenodo.7092602⟩. ⟨hal-03779081⟩ consulter sur HAL
  5. Frederik Bous, Laurent Benaroya, Nicolas Obin, Axel Roebel. Voice Reenactment with F0 and timing constraints and adversarial learning of conversions. 30th European Signal Processing Conference (EUSIPCO 2022), Aug 2022, Belgrade, Serbia. ⟨hal-03677462⟩ consulter sur HAL
  6. Paul Best, Jean Bresson, Diemo Schwarz. Musical Gesture Recognition Using Machine Learning and Audio Descriptors. International Conference on Content-Based Multimedia Indexing (CBMI'18), 2018, La Rochelle, France. ⟨hal-01839050⟩ consulter sur HAL
  7. Fanny Gribenski. “‘La Musique attire aux Églises et les fait aimer.’ Contribution à l’étude des usages diversifiés du concert au XIXe siècle”. Revue de musicologie, 2019. ⟨hal-02462566⟩ consulter sur HAL
  8. Marc Wijnand, Brigitte d'Andréa-Novel, Thomas Hélie, David Roze. Experimental implementation of a finite-time controller for the axisymmetric vibration modes of a tom-tom drum. 10th Convention of the European Acoustics Association (Forum Acusticum 2023), Sep 2023, Torino, Italy. ⟨hal-04185934⟩ consulter sur HAL
  9. Changhong Wang, Vincent Lostanlen, Emmanouil Benetos, Elaine Chew. Playing Technique Recognition by Joint Time–Frequency Scattering. ICASSP 2020 - 2020 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), May 2020, Barcelona (virtual), Spain. pp.881-885, ⟨10.1109/ICASSP40776.2020.9053474⟩. ⟨hal-03277686⟩ consulter sur HAL
  10. Jérôme Nika, Jean Bresson. Composing Structured Music Generation Processes with Creative Agents. 2nd Joint Conference on AI Music Creativity (AIMC), 2021, Graz, Austria. ⟨hal-03325451⟩ consulter sur HAL
  11. Emma Frid, Claudio Panariello, Claudia Núñez-Pacheco. Customizing and Evaluating Accessible Multisensory Music Experiences with Pre-Verbal Children — A Case Study on the Perception of Musical Haptics Using Participatory Design with Proxies. Multimodal Technologies and Interaction, 2022, 6 (7), pp.55. ⟨10.3390/mti6070055⟩. ⟨hal-04029043⟩ consulter sur HAL
  12. Ilja Salakka, Anni Pitkäniemi, Emmi Pentikäinen, Kari Mikkonen, Pasi Saari, et al.. What makes music memorable? Relationships between acoustic musical features and music-evoked emotions and memories in older adults. PLoS ONE, 2021, 16 (5), pp.e0251692. ⟨10.1371/journal.pone.0251692⟩. ⟨hal-03236742⟩ consulter sur HAL
  13. Mireille Fares, Catherine I Pelachaud, Nicolas Obin. Multimodal-Based Upper Facial Gestures Synthesis for Engaging Virtual Agents. WACAI 2021, Oct 2021, Saint Pierre d'Oléron, France. ⟨hal-03377549⟩ consulter sur HAL
  14. Baptiste Bacot, Vincent Tiffon, François-Xavier Féron. Recherche et acoustique musicales à Marseille en 1968 et 1989. Journées d’Informatique Musicale 2023, pp.139-148, 2023. ⟨halshs-04243921⟩ consulter sur HAL
  15. Emma Frid. The Gender Gap and the Computer Music Narrative - On the Under-Representation of Women at Computer Music Conferences. Array - Journal of the International Computer Music Association, 2021, 2021 (1), pp.43-49. ⟨10.25370/array.v20213274⟩. ⟨hal-03577631⟩ consulter sur HAL
  16. Roberto Bresin, Maurizio Mancini, Ludvig Elblaus, Emma Frid. Sonification of the self vs. sonification of the other: Differences in the sonification of performed vs. observed simple hand movements. International Journal of Human-Computer Studies, 2020, 144, pp.102500. ⟨10.1016/j.ijhcs.2020.102500⟩. ⟨hal-03250918⟩ consulter sur HAL
  17. Roberto Bresin, Emma Frid, Adrian B Latupeirissa, Claudio Panariello. Robust Non-Verbal Expression in Humanoid Robots: New Methods for Augmenting Expressive Movements with Sound. Workshop on Sound in Human-Robot Interaction, ACM/IEEE International Conference on Human-Robot Interaction, Mar 2021, virtual, United States. ⟨hal-03250920⟩ consulter sur HAL
  18. Thomas Hélie, Béatrice Laroche. SIMULATION OF A DAMPED NONLINEAR BEAM BASED ON MODAL DECOMPOSITION AND VOLTERRA SERIES. 26th International Congress on Sound and Vibration, Jul 2019, Montréal, Canada. ⟨hal-02403603⟩ consulter sur HAL
  19. Corentin Guichaoua, Paul Lascabettes, Elaine Chew. End-to-End Bayesian Segmentation and Similarity Assessment of Performed Music Tempo and Dynamics without Score Information. Music & Science, 2024, 7, pp.20592043241233411. ⟨10.1177/20592043241233411⟩. ⟨hal-04560483⟩ consulter sur HAL
  20. Simin Yang, Elaine Chew, Mathieu Barthet. Identifying Listener-informed Features for Modeling Time-varying Emotion Perception. 14th International Symposium on Computer Music Multidisciplinary Research (CMMR), Oct 2019, Marseille, France. ⟨hal-03542372⟩ consulter sur HAL
  21. Benjamin Matuszewski. A Web-Based Framework for Distributed Music System Research and Creation. AES - Journal of the Audio Engineering Society Audio-Accoustics-Application, 2020. ⟨hal-03033143⟩ consulter sur HAL
  22. Lenny Renault, Rémi Mignot, Axel Roebel. DDSP-Piano: a Neural Sound Synthesizer Informed by Instrument Knowledge. AES - Journal of the Audio Engineering Society Audio-Accoustics-Application, 2023, Special Issue on New Trends in Audio Effects, Part 2, 71 (9), pp.552-565. ⟨10.17743/jaes.2022.0102⟩. ⟨hal-04073770v2⟩ consulter sur HAL
  23. Jean-Francois Ducher, Philippe Esling. APPRENTISSAGE PROFOND POUR LA RECONNAISSANCE EN TEMPS REEL DES MODES DE JEU INSTRUMENTAUX. Journées d'Informatique Musicale, May 2019, Bayonne, France. ⟨hal-02472604⟩ consulter sur HAL
  24. Mireille Fares, Catherine Pelachaud, Nicolas Obin. Transformer Network for Semantically-Aware and Speech-Driven Upper-Face Generation. EUSIPCO, Aug 2022, Belgrade, Serbia. ⟨hal-03677459⟩ consulter sur HAL
  25. Carl Robinson, Nicolas Obin, Axel Roebel. SEQUENCE-TO-SEQUENCE MODELLING OF F0 FOR SPEECH EMOTION CONVERSION. IEEE International Conference on Acoustics, Speech, and Signal Processing, May 2019, Brighton, United Kingdom. ⟨hal-02018439⟩ consulter sur HAL
  26. Elie Abi Raad, Michael Vorländer. Using Dynamic Time Warping for Ultrasonic Sheet Metal Welding monitoring. Forum Acusticum, Dec 2020, Lyon, France. pp.2309-2315, ⟨10.48465/fa.2020.0521⟩. ⟨hal-03240279⟩ consulter sur HAL
  27. Elaine Chew, Peter Taggart, Pier Lambiase. Cardiac response to live music performance: effect of large-scale musical structure on action potential duration. EP-Europace, 2020, ⟨10.1093/europace/euaa162.136⟩. ⟨hal-03277679⟩ consulter sur HAL
  28. Claudio Panariello, Emma Frid. SuperOM: a SuperCollider class to generate music scores in OpenMusic. International Conference on Technologies for Music Notation and Representation (TENOR), May 2023, Boston, United States. ⟨10.17760/D20511476⟩. ⟨hal-04331456⟩ consulter sur HAL
  29. Alain Bonardi, Isis Truck. Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance Arts. The International Computer Music Conference (ICMC'2010), Jun 2010, United States. pp.474--477 (Poster). ⟨hal-00656887⟩ consulter sur HAL
  30. Daniel Oberfeld, Alexander Fischenich, Emmanuel Ponsot. Non-uniform temporal weighting of intensity in audition and vision: The signature of an evidence integration process?. Acta Acustica, 2024, 8, pp.57. ⟨10.1051/aacus/2024061⟩. ⟨hal-04803647⟩ consulter sur HAL

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