Articles scientifiques et musicologiques de l'Ircam

4263 articles

  1. Étienne Paul André, Dominique Fourer, Diemo Schwarz. DJ Mix Transcription with Multi-Pass Non-Negative Matrix Factorization. 2024. ⟨hal-04995821⟩ consulter sur HAL
  2. Antoine Minard, Patrick Susini, Nicolas Misdariis, Guillaume Lemaître, Etienne Parizet. Two-level description of environmental sounds: comparison and generalization of 4 timbre studies. Acoustics 08, Jun 2008, France. pp.'. ⟨hal-00418547⟩ consulter sur HAL
  3. Clément Canonne, Yann Teytaut. Disaffiliative humor in improvised musical interactions: an experimental study. Humor, 2025, ⟨10.1515/humor-2024-0020⟩. ⟨hal-04991239⟩ consulter sur HAL
  4. José Echeveste, Arshia Cont, Jean-Louis Giavitto, Florent Jacquemard. Operational semantics of a domain specific language for real time musician-computer interaction. Discrete Event Dynamic Systems, 2013, 23 (4), pp.343-383. ⟨10.1007/s10626-013-0166-2⟩. ⟨hal-00854719⟩ consulter sur HAL
  5. Dominique Fourer, Marine Guerry, Takaaki Shochi, Jean-Luc Rouas, Jean-Julien Aucouturier, et al.. Analyse prosodique des affects sociaux dans l'interaction face à face en japonais. XXXèmes Journées d'études sur la parole, Jun 2014, Le Mans, France. ⟨hal-00992083⟩ consulter sur HAL
  6. Jean Bresson. La synthèse sonore en composition musicale assistée par ordinateur : modélisation et écriture du son. Modélisation et simulation. Université Pierre et Marie Curie - Paris VI, 2007. Français. ⟨NNT : 2007PA066400⟩. ⟨tel-00807656⟩ consulter sur HAL
  7. Chemillier Marc, Rabearivelo Yohann. Valeur de la musique sur TikTok et nouvelles pratiques musicales Value of music on TikTok and new musical practices. Volume ! La revue des musiques populaires, 2023, 20 (1), pp.107-121. ⟨10.4000/volume.11635⟩. ⟨hal-04454072⟩ consulter sur HAL
  8. Jean-Louis Giavitto, Olivier Michel, Antoine Spicher. Unconventional and Nested Computations in Spatial Computing. International Journal of Unconventional Computing, 2013, 9 (1-2), pp.71-95. ⟨hal-00925718⟩ consulter sur HAL
  9. Arshia Cont (Dir.). Musical Research at Ircam. Cont, Arshia. Taylor & Francis, pp.1-114, 2013, 0749-4467. ⟨10.1080/07494467.2013.774121⟩. ⟨hal-00930937⟩ consulter sur HAL
  10. Nicolas Misdariis, Andrea Cera, Romain Barthelemy, Laurent Worms, Louis-Ferdinand Pardo. Collaborative sound design for automotive applications -The sound for Electric Vehicle as an emblematic use case. 53rd International Congress & Exposition on Noise Control Engineering, Aug 2024, Nantes (France), France. ⟨hal-05506397⟩ consulter sur HAL
  11. Emmanuel Fléty, Frédéric Bevilacqua. Wireless Inertial Measurement Units in Performing Arts. Sensors, 2025, 25 (19), pp.6188. ⟨10.3390/s25196188⟩. ⟨hal-05508314⟩ consulter sur HAL
  12. Rémy Müller. Time-continuous power-balanced simulation of nonlinear audio circuits : realtime processing framework and aliasing rejection. Sound [cs.SD]. Sorbonne Université, 2021. English. ⟨NNT : 2021SORUS453⟩. ⟨tel-03783502v2⟩ consulter sur HAL
  13. Laurent Feneyrou, Michel Valensi. Biagio Marin & Pier Paolo Pasolini. Une amitié poétique. Laurent Feneyrou; Michel Valensi. Éditions de l'éclat, 2022, Michel Valensi, 978-2-84162-546-8. ⟨hal-03918084⟩ consulter sur HAL
  14. Aliénor Golvet, Luciano L Barbosa, Etienne Démoulin, Benjamin Matuszewski. Koryphaîos: A Patchworked Compositional Environment for Distributed Music Systems. Web Audio Conference 2022, Université Côte d'Azur, Jul 2022, Cannes, France. ⟨10.5281/zenodo.6767566⟩. ⟨hal-03957334⟩ consulter sur HAL
  15. Clément Canonne, Emanuelle Majeau-Bettez, Aliénor Golvet. Investigating musicians’ listening strategies in the performance of Éliane Radigue’s Occam Delta XV. Musical Togetherness Symposium, 2022, Vienne, Austria. ⟨halshs-03913771⟩ consulter sur HAL
  16. Diemo Schwarz, Dominique Fourer. Methods and Datasets for DJ-Mix Reverse Engineering. 14th International Symposium on Computer Music Multidisciplinary Research (CMMR 2019), Oct 2019, Marseille, France. ⟨hal-02172427⟩ consulter sur HAL
  17. Annelies Fryberger. Sounds Unheard: The legacy of a sound art exhibit.. Curator: The Museum Journal, 2019, 62 (3), pp.415-423. ⟨hal-02022659⟩ consulter sur HAL
  18. François-Xavier Féron. Une histoire orale de l’acoustique et de la recherche musicales en France après 1945 : genèse et enjeux du projet RAMHO. SCRIME : 20 ANS de Recherche et de Création, Jun 2022, Talence, France. ⟨halshs-03918277⟩ consulter sur HAL
  19. Emmanuel Vincent, Xavier Rodet. Instrument identification in solo and ensemble music using independent subspace analysis. 5th Int. Conf. on Music Information Retrieval (ISMIR), Oct 2004, Barcelona, Spain. pp.576--581. ⟨inria-00544689⟩ consulter sur HAL
  20. Emma Murphy, Mathieu Lagrange, Gary Scavone, Philippe Depalle, Catherine Guastavino. Perceptual Evaluation of a Real-time Synthesis Technique for Rolling Sounds. Conference on Enactive Interfaces, Nov 2007, Grenoble, France. ⟨hal-01697540⟩ consulter sur HAL
  21. Krzysztof Czarnecki, Dominique Fourer, François Auger, Mirosław Rojewski. A fast time-frequency multi-window analysis using a tuning directional kernel. Signal Processing, 2018, 147, pp.110 - 119. ⟨10.1016/j.sigpro.2018.01.019⟩. ⟨hal-01701318⟩ consulter sur HAL
  22. Joël Bensoam. Sound synthesis by physical modeling. Rencontres Maths-Industrie (RMI), Ecole polytechnique LMS, Mar 2017, Palaiseau, France. ⟨hal-01578891⟩ consulter sur HAL
  23. Vincent Tiffon. Musique Mixte. Nicolas Donin; Laurent Feneyrou. Théories de la composition musicale au XXe siècle, 2, Symétrie, pp.1297-1314, 2013, Théories de la composition musicale xu xxe siècle, 978-2-914373-62-3. ⟨hal-01583241⟩ consulter sur HAL
  24. Nicolas Misdariis, Louis-Ferdinand Pardo. The sound of silence of electric vehicles – Issues and answers. InterNoise, Aug 2017, Hong-Kong, China. ⟨hal-01708883⟩ consulter sur HAL
  25. Laurent Feneyrou. Zwischen den Künsten. Neue Zeitschrift für Musik, 2017. ⟨hal-01681840⟩ consulter sur HAL
  26. Clément Canonne. Improvising a modus operandi : An Ethnographic Study of a Collaboration Between a Composer and an Improviser Collective . Tracking the Creative Process in Music, 4th Edition, 2017, Huddersfield, United Kingdom. ⟨hal-01681858⟩ consulter sur HAL
  27. Pierre Talbot, Carlos Agon, Philippe Esling. Interactive computer-aided composition with constraints. 43rd International Computer Music Conference (ICMC 2017), Oct 2017, Shanghai, China. ⟨hal-01577898⟩ consulter sur HAL
  28. Alain Guez, Claire Lagesse, Rousseaux Francis. Approche pour l'élaboration d'un modèle chronotopique urbain 2. Gestion et Analyse des données Spatiales et Temporelles (GAST), 2017, Grenoble, France. pp.51-65. ⟨hal-01592747⟩ consulter sur HAL
  29. Jan Pawlowski, Philippe Esling, Tomas ; Lejzerowicz, Thomas Wilding. Environmental monitoring through protist next-generation sequencing metabarcoding: assessing the impact of fish farming on benthic foraminifera communities. Molecular Ecology Resources, 2014, 14 (6), pp.1129-1140. ⟨10.1111/1755-0998.12261⟩. ⟨hal-01577890⟩ consulter sur HAL
  30. Laurent Feneyrou. Scipio Slataper. Conférence, 2017. ⟨hal-01681793⟩ consulter sur HAL

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