Articles scientifiques et musicologiques de l'Ircam

3912 articles

  1. Marco Liuni, Emmanuel Ponsot, Gregory A Bryant, Jean-Julien Aucouturier. Sound context modulates perceived vocal emotion. Behavioural Processes, 2020, ⟨10.1016/j.beproc.2020.104042⟩. ⟨hal-02462759⟩ consulter sur HAL
  2. Sophie Donnadieu, Stephen Mcadams, Suzanne Winsberg. Context Effects in Timbre Space. Conference of the Society for Music Perception and Cognition, Jul 1994, Liège, Belgium. pp.311-312. ⟨hal-01105436⟩ consulter sur HAL
  3. Pascal Belin, Bennett K. Smith, Lionel Thivard, Sophie Savel, Séverine Samson, et al.. The functional anatomy of sound intensity change detection. Society for Neuroscience, 1997, New Orleans, États-Unis. ⟨hal-01105481⟩ consulter sur HAL
  4. James Beauchamp, Stephen Mcadams, Suzanne Meneguzzi. Perceptual effects of simplifying musical instrument sound time-frequency representations. Journal of the Acoustical Society of America, 1997, 101. ⟨hal-01105559⟩ consulter sur HAL
  5. Alain de Cheveigné. Formant bandwidth affects the identification of competing vowels. International conference on phonetic sciences, 1999, NA, France. pp.2093-2096. ⟨hal-01105610⟩ consulter sur HAL
  6. Alain de Cheveigné, Hideki Kawahara. Missing data model of vowel perception. Journal of the Acoustical Society of America, 1999, 105, pp.3497-3508. ⟨hal-01105611⟩ consulter sur HAL
  7. V. Roussarie, Stephen Mcadams, Antoine Chaigne. Perceptual analysis of vibrating bars synthesized with a physical model. 16th International Congress on Acoustics, 1998, Seattle, France. pp.2227-2228. ⟨hal-01105617⟩ consulter sur HAL
  8. Cornelia Fales, Stephen Mcadams. The fusion and layering of noise and tone : Implications for timbre in African instruments. Leonardo Music Journal, 1994, 4, pp.69-77. ⟨hal-01105639⟩ consulter sur HAL
  9. Stephen Mcadams, Kaija Saariaho. Qualities and functions of musical timbre. 1985 International Computer Music Conference, 1985, Vancouver, France. pp.367-374. ⟨hal-01105658⟩ consulter sur HAL
  10. Renaud Brochard, Carolyn Drake, Marie-Claire Botte, Stephen Mcadams. Perceptual organization of complex auditory sequences : Effect of number of simultaneous sub-sequences and frequency separation. Journal of Experimental Psychology: Human Perception and Performance, 1999, 25, pp.1742-1759. ⟨hal-01105666⟩ consulter sur HAL
  11. Alain de Cheveigné, Stephen Mcadams, Cécile Marin. Concurrent Vowel Identification.II : Effects of Phase, Harmonicity, and Task. Journal of the Acoustical Society of America, 1997, 101 (5), pp.2848-2856. ⟨hal-01105671⟩ consulter sur HAL
  12. Alain de Cheveigné. Cancellation model of pitch perception. Journal of the Acoustical Society of America, 1998, 103, pp.1261-1271. ⟨hal-01105674⟩ consulter sur HAL
  13. Alain de Cheveigné. Separation of concurrent harmonic sounds : Fundamental frequency estimation and a time-domain cancellation model of auditory processing. Journal of the Acoustical Society of America, 1993, 93, pp.3271-3290. ⟨hal-01105685⟩ consulter sur HAL
  14. Sandrine Vieillard, Emmanuel Bigand, François Madurell, Stephen Mcadams, Roger Reynolds. Can listening to excerpts of original versions of contemporary musical materials facilitate recognition of their transformed versions?. 7th International Conference on Music Perception and Cognition, 2002, Sydney, France. ⟨hal-01105789⟩ consulter sur HAL
  15. Alain de Cheveigné, Hideki Kawahara. F0-adaptive Spectral Estimation based on the Correlation Network Model. CREST workshop on Computational Models of Auditory Processing, 2002, Kyoto (July 2002), France. ⟨hal-01105794⟩ consulter sur HAL
  16. Alain de Cheveigné. Two voice fundamental frequency estimation. Journal of the Acoustical Society of America, 2002, 111. ⟨hal-01105806⟩ consulter sur HAL
  17. Daniel Pressnitzer, Laurent Demany, André Rupp. The perception of frequency peaks and troughs : psychophysical data and functional brain imaging data. Acta Acustica united with Acustica, 2002, 0. ⟨hal-01105808⟩ consulter sur HAL
  18. Stephen Mcadams, Philippe Depalle, E. Clarke. Analysing musical sounds (? para?tre). Oxford University Press; Clarke, E. / Cook, N. Empirical Musicology, Aims, Methods, Prospects, 2003. ⟨hal-01105856⟩ consulter sur HAL
  19. Daniel Pressnitzer, Alain de Cheveigné, Ian M. Winter. Physiological correlates of the perceptual pitch shift of sounds with similar waveform autocorrelation. Acoustic Research Letters Online, 2003, 5, pp.1-6. ⟨hal-01105858⟩ consulter sur HAL
  20. Ranka Bijeljac-Babic. L’enfant bilingue, de la petite enfance à l’école. Odile Jacob, 2017. ⟨halshs-01866950⟩ consulter sur HAL
  21. François Madurell, Philippe Lalitte. Musique et sciences cognitives. Observatoire Musical Français (OMF), 46, pp.115, 2010, Conférences et séminaires, ISSN 1258-3561, 978-2-84591-161-185-8. ⟨hal-02180676⟩ consulter sur HAL
  22. J. Drader, N. Martin, N. Boubals, N. Zorz, P. Guilbaud, et al.. Redox behavior of gas phase Pu(IV)-monodentate ligand complexes: an investigation by electrospray ionization mass spectrometry. Journal of Radioanalytical and Nuclear Chemistry, 2016, 310 (1), pp.441-451. ⟨10.1007/S10967-016-4799-0⟩. ⟨cea-02527975⟩ consulter sur HAL
  23. Laura Zattra. Les origines du nom de RIM (Réalisateur en informatique musicale). Journées d'Informatique Musicale (JIM 2013), Saint-Denis, 2013, Paris, France. pp.113-120. ⟨hal-01106905⟩ consulter sur HAL
  24. Laurent Feneyrou. Jean Barraqué, La Nostalgie d'Arabella. Bärenreiter, 2020. ⟨hal-03092875⟩ consulter sur HAL
  25. Laurent Feneyrou. Une archéologie des séries proliférantes. Jean Barraqué et l’idée sérielle. Muriel Joubert et Denis Le Touzé. Foisonnements et proliférations en musique, Presses universitaires de Lyon, pp.149-184, 2020, 978-2729712181. ⟨hal-03092871⟩ consulter sur HAL
  26. Guillaume Boutard, François-Xavier Féron. Documenting acousmatic music interpretation : profiles of discourse across multiple dimensions. Journal of Documentation, 2019, 75 (1), pp.99-119. ⟨10.1108/JD-03-2018-0037⟩. ⟨halshs-01971749⟩ consulter sur HAL
  27. Matthias Burkert. La musique dans le Tanztheater de Pina Bausch. Ircam - Centre Georges Pompidou. Inharmoniques n° 7, Musique et authenticité, pp.1-1, 1991. ⟨hal-01156840⟩ consulter sur HAL
  28. François Nicolas. Pour une intellectualité musicale. Ircam - Centre Georges Pompidou. Inharmoniques n° 8/9, Musique recherche théorie, pp.1-1, 1991. ⟨hal-01156859⟩ consulter sur HAL
  29. Francis Rousseaux, Karim Barkati, Alain Bonardi, Antoine Vincent. From Alan Turing's imitation game to contemporary lifestreaming attempts. Computational Creativity, Concept Invention, and General Intelligence (C3GI of ECAI), 2012, Montpellier, France. pp.42-47. ⟨hal-01107178⟩ consulter sur HAL
  30. Karim Barkati, Alain Bonardi, Antoine Vincent, Francis Rousseaux. A knowledge management approach for digital audio production workflow. Artificial Intelligence for Knowledge Management (AI4KM of ECAI), 2012, Montpellier, France. pp.79-84. ⟨hal-01107179⟩ consulter sur HAL

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